Random Piece of the FIMS Graphic Montage FIMS - Faculty of Information and Media Studies
FIMS
FIMS HOME
About the Faculty
BA in Media, Information & Technoculture
Degree/Diploma in Media Theory & Production
MA in Journalism
MA in Media Studies
PhD in Media Studies
Master of Library and Information Science
PhD in Library and Information Science
MA in Popular Music & Culture
People and Groups
Employment
Contact Us
People and Groups
Index - People and Groups







° Faculty Groups
Full-Time Faculty
Part-Time Faculty
Rogers Chair
Professors Emeriti
° Staff Groups
All Staff

Dean's Office and Student Services
Information and Media Technology Services (IMT)
Graduate Resource Centre (GRC)
° Students
PhD - LIS
* Master's - LIS
* Master of Arts - Journalism
* Master of Arts - Media Studies
* (Access limited to FIMS only)
° Organizations
The Doctoral Students Association (DSA)
MLIS Student Council
CLA UWO Student Chapter
SLA UWO Student Group
° Alumni
Alumni Home
LIS Alumni
Journalism Alumni
° Other
* Course Email Listings (restricted to UW0)
UWO Campus Telephone Directory

Faculty

Jonathan Burston
Associate Professor
Rogers Chair

North Campus Building Room 213
Phone: 519-661-2111 x88511

University of Western Ontario
London, Ontario, Canada N6A 5B7
Fax: 519-661-3506

Email: jburston@uwo.ca

Teaching
I teach courses on popular music, labour in media capitalism, media and globalization, and the social uses of spectacle in contemporary life. These include MIT 2100 (The Political Economy of Media) , MIT 2350 (Popular Music in Society), MIT 3352 (Music Media and Globalization), and an Honours Seminar on the politics of production in the entertainment industries. At the graduate level I teach in both the Media Studies MA, and FIMS' joint MA in Popular Music and Culture with the Faculty of Music. Courses include MS 9100 (Interdisciplinary Foundations of Media Theory), MS 9102 (The Craft of Writing), MS 9781 (The Social Uses of Spectacle), and PMC 9761 (Space, Place, Music).

Research Interests
My research interests span the same range of topics. They also include, as a subset, the study of performing bodies in digital space and time and, as a super-set, the military-industrial-media complex. So, for instance, I've written recently on the way that 'synthespianism' in Siliwood (Hollywood + Silicon Valley) is blurring boundaries between digital and human actors. Implications big and small are addressed in "War and entertainment: New research priorities in an age of cyber-patriotism," in Daya Thussu and Des Freedman, eds., War and the Media: Reporting Conflict 24/7 (London: Sage, 2003), and in "Synthespians among us: Re-thinking the actor in media work and media theory," in James Curran and David Morley, eds., Media and Cultural Theory (London: Routledge 2006).

Stay tuned for a book on media capitalism's recent impact on Broadway and what I call "the global-industrialization of the live-entertainment economy," forthcoming from Duke University Press. A shorter presentation of my arguments there can already by found in Burston, Jonathan (2009) "Recombinant Broadway." Continuum 23/2: 159-169.

Update